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Writer's pictureArtsySuzie

Quarantine Theatre: National Theatre at Home: Antony and Cleopatra

Updated: Aug 21, 2021


(* Some spoilers.*) I was privileged to be able to see this production live; now instead of enjoying this production live and another happy wander round Shoreditch, I'm at home. But what a fantastic production - the filmed version highlights the interactions between characters, how hard they've worked to make Shakespeare's lines both conversational and poetry. The set's the thing here - the monument is a golden box with steps; Cleopatra's palace has a wonderful pool with paths across it - how does no-one fall in? (Also useful for semi-drowning unwanted messengers in!) Rome and Egypt are portrayed by starkly majestic backdrops with pillars or carvings added. And the music too - it's wonderful.


Sophie Okonedo is a majestic, stately and capricious; not sure what she sees in Ralph Fiennes, but he speaks his lines well! I can see Ralph Fiennes's Antony sees in the energy and manipulations of Cleopatra, not to mention her dramatic 1970's wardrobe - so many gorgeous maxi dresses in rich fabrics and designs! There are some crackling interactions between Caesar (Tunji Kasim) and Antony; Caesar is often being challenged and almost socially humiliated. This Caesar is a very fastidious person and very aware of his position, especially when socially shamed by Pompey - he holds his power not lightly. He is not one of the lads. There's also the political manoeuvering of Aggrippina in the background. The production does well in making all the names individuals and distinguishable, such as the poor, unfortunate messenger who learns to say what Cleopatra wants to hear the hard way!

Equally moving is the emotional interaction between Caesar and his sister Octavia as she prepares to leave for marriage with Antony; the suicide of Eros, Antony's servant rather than put to death his master Antony as requested. Dramatic is the ending as Cleopatra prepares for death rather than being taken as a souvenir of war or museum exhibit by Caesar, emphasised by the conversation from the top and bottom of the monument. Piteously tender and fierce is the conversation between Antony's widow and Cleopatra - this is a Queen who will be free and active until the end - she is almost an Egyptian Braveheart! Oh, Caesar vs Cleopatra!


Worth seeing for the real snake!!!! the unfortunate messenger bringing news that Cleopatra doesn't want to hear, and the shocking drama of the flogged soldier. Also Cleopatra's dresses!!! and Ralph Fiennes' Antony risking his life being winched up to Cleopatra at the top of the monument. Catch her quickly cos the Barbershop Chronicles are coming!



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